Vita

​Der Blockflötist und Komiker Gabor Vosteen studierte Blockflöte an der Hochschule für Musik und Theater in Hannover. Anschließend besuchte er die Zirkusschule Budapest mit Schwerpunkt Clown und studierte an der École Internationale de Théâtre Lassaad in Brüssel Physical Theater.

Seine Programme mit einer Mischung aus virtuosem Blockflötenspiel und visueller non-verbaler Comedy wurden international mehrfach ausgezeichnet und bereits in 23 Länder eingeladen. Sie führten Gabor als Flötenmann an Häuser wie die Elbphilharmonie, ins Wiener Konzerthaus, ins KKL Luzern, Kongresshaus Zürich, Kongresshaus Hong Kong und in die Konzerthäuser Dortmund und Blaibach.

Kooperationen entstanden mit dem Musikkollegium Winterthur, dem Gewandhausorchester Leipzig, der Südwestdeutschen Philharmonie Konstanz, dem Norwegian Arctic Philharmonic Orchestra, dem City Chamber Orchestra of Hong Kong und dem Szolnoki Szimfonikus Orchestra.
Zahlreiche Einladungen zu Festivals wie den Musikfestspielen Potsdam Sanssouci, den Festspielen Mecklenburg-Vorpommern, den Barocktagen Stift Melk, den Blockflötenfesttagen Bad Kissingen, dem Festival Musica Antiqua Bozen und zu Jazz&The City Salzburg.
Ebenso tourte Gabor mit seiner vielschichtigen Darbietung mit Circus Roncalli, Giffords Circus und Night of the Proms. Er tritt regelmäßig auf Theaterbühnen mit seinem Solo-Programm The Fluteman Show auf. Gabor ist Preisträger des Young Audience Music Award als «Best Small Ensemble». 

Vita

​​"At the age of five I was bitten by a mutated recorder at the open day of the regional music school.
First I felt no impact, but after two hours I got red marks everywhere on my body. I immediately thought that it came from the double bass that had fallen on me before, but the next day I had fever.
The doctor said it was a virus and that it would pass after two weeks. However, after two weeks I began to hallucinate and I saw recorders everywhere. All of a sudden I started playing the recorder virtuously. First secretly and at night. I put myself on a cloak with red spots and climbed the roof of my parent’s house. Because I did not wanted to rouse my parents I jumped from roof top to roof top and played the music my mother had been listening to while pregnant with me. I realized that whenever I played the recorder with my nose I could hinder burglary and theft. I spread love instead! To my sounds the neighbor’s cat regularly mated with the mouse she would eat afterwards.
One day my recorder playing was detected because the criminal rate of my home town had fell to zero.
Since the chief of police was afraid of losing his job, I was banned from playing the recorder in my home town.
Ever since I am touring around and make the world just a teeny-weeny little bit safer and more beautiful. So it would not attract too much attention…"                       

​Formation

HMTH

​Studies of the recorder with Prof. Dr. Ulrich Thieme
Hochschule für Musik und Theater Hannover, Germany

Clown

​Clowntraining Circus school, Budapest, Hungary

Theatre education

​Movement theatre education ( Jacques Lecoq)
École Lassaad, École internationale de Théatre, Brussels, Belgium